Sunday, November 27, 2011

Week 1 Post 5 Leadership Project

A person that has been a leader/mentor to me throughout my life is Rev. Reavis Fox. I started attending church where Rev. Fox was a pastor when I was 16. As a typical teenager, I didn't always see eye to eye with my father. Reverend Fox was always encouraging, but not afraid to correct me when I went astray. I also saw him lead a church, not with an iron fist, but with love and compassion. He has led the same church for thirty years.

I am currently leading the church as interim pastor as Pastor Fox is recovering from open heart surgery. It is difficult to follow someone that you have tried to emulate most of your life, knowing that people know the difference. I am learning that a true leader leads with their own style and I know that is what Reavis would also say. He did pick me to fill in for him after all.

Week 1 Post 4



The one thing I took from the Wimba session is the Leadership Project assignment. I knew the CBR project was coming to a head with it being Month 11. However, I didn't know about the Leadership Project and I am apprehensively looking forward to it. The idea of preparing myself for publication or presenting at a regional conference is exciting but daunting at the same time. I look forward to the challenge.

The other thing I am amazed by is the fact that I am in Month 11. After various medical problems and seeing several classmates having to take leaves of absences, I didn't think I would make it on time either. I knew I was working in a limited in window as my oldest has started college and my other two children will start with two years. Financially and age wise, I knew it was now or never. I am glad I chose now!

Week 1 Comment 2


Joseph Brightman writes in MAC BLOG
Being a music teacher, I’ve dealt with the issue of copyright for most of my career.  Can I copy this sheet music we are working on?  Am I allowed to send home a copy of the CD of the song we are learning?  Am I allowed to record my kids’ performances and sell them to parents as a fundraiser for the band?  For the most part, the answer to these questions has always been no.  Copyright ensures that the original creators of a work maintains control of its use, and makes an effort to ensure that the creators get paid for their work.  So for music teachers, when the question shifts to ask if we should pay for what we use, the answer quickly turns to yes.  Yes, you must purchase more copies of sheet music, and yes, your student must buy their own copy of the CD, and yes, you can record your students’ performances and sell them to raise funds, (but of course, you’ve got to send a previously negotiated portion of the proceeds to the publisher of the sheet music.)

But, there are some checks and balances placed on copyright law that help the school band or choir director as well as the starving artist from being thrown away in “copyright jail”, or rather, being sued by a recording company.  For example, if you record your students’ performance of a copyrighted work without selling it, and the director keeps only one copy of the recording, then the recording is considered an archive of the performance groups’ progress, and is legal.  In a similar manner, filmmakers and media organizations have put much time and effort into defining a legal defensive position called Fair Use.  If one is taken to court for copyright infringement, depending on the context of the content use, as well as the amount of material taken and its effect on the original work, Fair Use can defend a teacher, reporter, comic, or critic from legal penalties.

So what does this mean for us, the busy creators of new media, whose deadlines prevent us from creating every pixel and sound used in our projects?  Or, the artist who seeks to base her work in the history of what was created before?  Should we shy away from all copyrighted work in fear of a lawsuit, or should we use what we want and attempt to blatantly throw loopholes in the face of the law?  Personally, I think that finding a happy balance between the two is most likely the healthiest approach.  Below is my personal approach when it comes to seeking the right media and staying out of court.

First: Use copyright-free sources.
A simple Google search reveals a slew of resources where works licensed for reuse can be found, such as MorgueFile, Creative Commons, OpSound and many more.  Using media that’s already licensed for reuse, or whose copyright is expired is completely fair and legal, and you may be surprised by the quality of the work that’s out there for free.

Second:  Make it yourself.
If there is a photo you’d like to use, or a song that you just can’t live without, download it, and attempt to recreate something just like it through your own personal resources.  For example, if you wanted to use an instrumental portion of a copyrighted song, using Logic Pro, you can recreate the beat of the song with a similar drum machine, then find or create loops that had a similar feel to the song you are attempting to emulate.  Or for images, study a photo, then find something similar, and attempt to get a good quality shot of it.  Creating media similar to copyrighted works not forces you to study the original works, but then helps you develop your own skills by going out and creating your own work.

Third:  If you can’t live without it, use it respectfully and carefully.
If there is a snippet of media that your project absolutely can’t exist without, Fair Use does exist as a defensible standpoint in a court of law for specifically for this purpose.  So, as long as long as you are careful with regard to the amount of media you use, the nature and purpose of your new work, and its commercial effect on the original work, if you are ever dragged into court you should at least have a case.  The law surrounding Fair Use is a very grey area; so personally, I’d stay on the conservative side of using copyrighted material.  But, since Art itself evolves based on its roots, it only makes sense that we need to be able to build new works based on old ones.  Although I’ve steered away from copyrighted material so far in all of my work, I wouldn’t be surprised if some popped up in the near future.

My reply was:

Glenn Shelton
Joe,
I agree with the majority of your ideas, but I take opposition to creating your own work based on the original. However, I teach my students that they must cite ideas of an author in a research paper. What is the difference between what you propose and using an author's ideas in a paper. I'm ignorant when it comes to the area of media creation so help me understand.
Sunday, November 27, 2011 - 04:15 PM

Week One Comment One


Mindi Vandergriff writes from Week One Blog:

My reply:

Friday, November 25, 2011

Glenn Shelton MAC Week 1 Reading Post- Copyright

Video Clip from MLB.Com

Fair Use and Copyright
Many times in a classroom a teacher feels like Carlton Fisk in Game 6 of the 1975 World Series hoping their use of media complies with "Fair" Use practices as it pertains to copyright laws. We stand at home plate waving a lesson that uses media to "fair" territory hoping it is compliant with federal laws and it is entertaining to our students. Sometimes we jump on a pitch (media) and really like it and pull it foul and yanking in the stands by not complying with fair use practices and violating copyright laws.

Many times I may use a clip of movie illustrating a part of novel we are reading in class, or worse, show the entire movie without thinking of point that was brought out in a video in section 2, could my lesson live without it? Many times the answer would be yes, the lesson could survive without the piece of media. I had never have thought of using the question before in determining the use of a video or other media.

Now, I can argue that showing the majority of a movie based on a Shakespeare play is essential to my lesson since students have difficulty understanding the language of the play. The other criteria would then come into play of the length of the portion used in class being in violation of copyright law. I think this is where I am in agreement with Dr. B and it becomes slightly fuzzy in interpretation, but sometimes limiting the use of video, even with Shakespeare, would be wise.

Let me pose this question. Do we violate students' copyrights when we reuse their videos, projects, etc in the classroom? I love to have examples to show other students, but am I doing so legally? Professors at Full Sail ask us if they can reuse work, but I don't know of a written notice, unless it was somewhere in the documents we signed when we started our coursework. However, I know I don't obtain permission to reuse student work in my own setting. Can we legally place student work on a bulletin board?

It is the bottom of the twelfth and we are trying to hit the game winner home. Are we "fair" or "foul"?